'Standing Female Nude by Carol Ann Duffy'

'In the verse form stand Female nude painting, Carol Ann Duffy gives a new view on company through the eye of this female prostitute. The numbers challenges the concept of modern art by presenting it through the parting of a g rase secern adult female. Duffy uses the verbaliser to demonstrate the class injustices inherent in the society as well as the issues raised in the objectification of women. \nFrom the beginning of the verse the reader is cognizant that the adult female is of the lower class. She is committed to vi hours work for a few francs ( quarter 1). Also, when the loud verbalizer system states on line 21, both [the workman and the cleaning woman] poor, we make our maintenance how we can. The woman sells her embody for notes because the womans notwithstanding concern is with the neighboring meal(line 9) signifying her do-or-die(a) need of money for survival. While the artist, public opinion to be Georges Braque, is bear on with volume [and] spac e, (line 8) suggesting how his provided concern is the painting. afterward establishing that the both the panther and the woman atomic number 18 of lower status, the woman goes on to look to herself about the bourgeoisie [who] will murmur at such(prenominal) an image of a river-whore (line 6). Duffy uses the term bourgeoisie with a redness sense to cozy up the class inequalities in society. According to the speaker the bourgeoisie turn out the privilege of deciding what is considered Art (line 7). Duffy capitalizes the news program art to glint the models sarcastic posture towards the opinion of the blotto bourgeois society. \nnot only does the poem focus on the class struggles, save it also targets sex inequalities; even the form of address itself objectifies the woman as simply a standing nude, exclusively impersonal. When the artist paints the woman he drains the saturation from [her] (line 3) and possesses [her] on shroud (line 18). Thus, demonstrating his sup eriority by drain[ing] her of colour he is ultimately course her of power and li...'