An Analysis of the Poetic Works of Emily Dickinson

?Belonging to a true entity is the result of a trigger officular identity. Discuss.? The concept of belonging relates to the complex descent of and individual, the natural world, and the way in which they interact with the groups around them to form a hotshot of self. In this circumstance, the entity of friendship or ide wholey, belonging to a group, is a product of the personas own identity which is exempli? ed through a reason of self. The collective poetic works of Emily Dickinson explores the facets of belonging related to oneself, and the individual? s identity as part of character? organism. This correlates right away with John G. Avildsen? s ? lm, ? The Power of sensation? , which explores and extrapolates the divergences of temper? s relevancy in red-brick society and philosophy as rise up as gentleities intragroup workings.Finally, the discerning super provides of William Golding? s ? Lord of the Flies? is based upon the premise that indeed, a sense of self is a chieved through the sublime power of nature and the symbolical transition of social conditioning in which people conjoin in kinship by forming an identity. A sense of self is vital in all areas of belonging, and objecti? d, belonging is the process in which people undertake in discovering their capabilities through their friendship groups and their surroundings. The sublime power of nature links directly to an individual? s sense of self and uniformity amongst natural entities. In Emily Dickinson? s poem, ? This is my letter to the world? , she describes bitterly the situational irony that despite her hump and affection, the personi? ed reputation was unattainable, that never wrote to me. Dickinson used this self pittance, as well as the anthropomorphism of nature as macrocosm a exciting of emotion, to portray herself as a servant to the divine.She uses caesura throughout her poetry to make believe an mad pause, or periodic structure in her writing which effectuate the way t he reader reacts to the text. As according to her romanticist values, nature has a dichotomous alliance with man, whereby they feed off each other as and yet it is necessary to belongings it as a God-like ? gure. Hence the metonymy of Nature is created as an symbol derived from and allusion to Greek mythology, where the ? mother? is a symbol of nurturing and kindness, and ? develop Nature? is the mother of all creation.In essence work overy creates a form of synaesthesia in her lust of nature, portraying its features as being pleasing to the human eye A tender majesty. Thus Dickinson? s nonliteral and apparitional link to nature as an entity is caused by their mutual respect and she hind end therefore de? ne herself as having the identity of a classical romanticist. In concurrence with Dickinson? s view on nature, Peekay in ? The power of One? In a setting devoid of the beauty of nature, Doc uses metaphorical language to depict and foreshadow Peekay? s future outlook on li fe. Whatever question you have, the answer can be found in nature. This evokes the presumption once again of a transcendentalist attitude which two Dickinson and Peekay shared, as it is through the indicative power of a sublime nature that they ? nd solace, stability, and reason. In Peekay? s older years he dictates an analogy, without the sun, the corn liquor would be a sin circle but with cooperation, moonlight. In an allegoric manner, Peekay was metaphorically referring to the different races of the people in Africa and their potential to succeed as a unit, together, rather than racially segregated.In A closing scene in the ? lm, The three tribes stood separated at a cemetery, united by the end of a friend, yet they remained standing apart. The wide shot of the cemetery and dark dissonant tone of the palette further exempli? ed the dreary emotional setting. Peekay stood in- surrounded by the people and thus acted as a symbol between the people, the spiritual world and the l and, further amplifying his transcendentalist qualities ant the recurring motif of an individuals power and capabilities to evoke belonging amongst people and groups.The nature of humanity vindicates a sense of belonging that depicts the nature of a person, the way it changes, the way it corrupts. The persona in Emily Dickinson? s ? I had been hungry all these years experiences an allegorical yearning which link to Dickinson? s own will to belong. During the progress of the poem a juxtaposition is observed between the persona at the start and the termination character at the end. Dickinson? s use of asyndeton creates an emotional, contemplative pause which connotes an restless disposition in her mentality.It is apparent that the apprehension of her allegorical hunger creates a metaphorical con? ict between her wish to belong to society ? twas so unlike the crumb and nature? s dining room which was her wedded way of life. To analyse further, this is her defending her romanticist v alues against the societal paradigm despite her desire to belong (the metaphorical meal) Dickinson concludes that the divine power of nature is hegemonic to the unnatural aesthetics of society and thus the change which took place in her psyche was added assurance that her cause was justi? d and therefore it alter her sense of self. Additionally, Ralph? s creation of the symbolic ? conch shell? in William Golding? s ? Lord of the Flies? is a creation of structure to the otherwise chaotic boys. It is the connotative foundation on which their tribal society is built upon. When the shell is broken and the boys descend into savagery, the island? s settings change accordingly. Therefore the individual? s sense of uniformity to an entity is created by a corrupted sense of righteousness.The boys late convert into murderers and Simon, the antagonist, sybolically ventures to the rocky, desolate military position of the island of which beforehand they would have never tread. This is part of their metaphorical desensitisement which happens gradually in the text and as Ralph is the only combat-ready source of versimilitude, he remains on the bright and ? happy? side of the island. It is human kinds nature to corrupt, and perhaps it was Golding? s intentions by exploitation the all male cast, to allude to, and satirically mock the politcal turmoil of his context. By using young boys as characters he points out the ? ws in the political system, its nature to propagate from religion and emotion and into societal groups based on stature, wealth, and greed. Golding came from a time of not only political unrest, but war, and this story comments on the basis of human evil and that belong in fact, is objecti? ed as being he process of mate-ship, and the ability to compromise despite corruption. These revoke views on humanity in? ate reason as to wherefore corruption has remained a problem in society over large time frames. It is a product of human uncertainty and indecis ion.In summary, the process of being uniform and included in an environment is the process of conditioning, a relationship with the natural world, and also the hereditory trates in which people inherit that hinder and exonify their beings. exclusively three texts produced in this essay emulate values which imply the motif of a ? sense of self? in order to achieve forward motion of mankind, or at least the identity of the individual. Thus in peroration, in order to achieve a sense of belonging in a physical or mental sense, it is a necessity for the persona to insure their identity regardless of idealogical or peer pressures.