An assessment of the first section of the 1992 film Essay

slope Media Coursework An assess custodyt of the first section of the 1992 plastic shoot Of Mice and Men, including some comparisons with air division virtuoso of tail end Steinbecks novelIn section one of the novel Of Mice and Men written by John Steinbeck, begins with a r balanceering of the pool and its surroundings in put up to familiarize us with the setting, utilise poetic imagery to describe the golden foothill slopes of the Salinas river valley and the pool on the bank of which the leaves lie deep and so crisp that a lounge lizard makes a great skittering if he runs among them. Some rabbits sit in the sand. in that respect is a path through the willows and among the syca mores leading to the sandy rivers edge. The description conveys an perfect peace to the scene which is disturbed as the novels devil main characters cut from the woods. The rabbits scurry into the scrubs and a heron flies from the pool forwards George and Lennie enter the clearing.George and Lenn ie ar described as fleshly opposites, George being down in the mouth and quick, dark of face, with restless eyes and sharp, strong features bit Lennie is described as a huge hu domain beings, shapeless of face, with large pale eyes, with wide slanting shoulders, and he headed heavily but despite the difference in physical expression John Steinbeck stresses the similarities of dress twain were dressed in denim. Both wore black, shapeless hats and both carried tight blanket rolls, this suggests that Lennie whitethornbe trying to replicate George as he looks up to him and wants to be alike him, as in any case imitates George actions at the river bank.In the following pages George and Lennies conversation and behaviour helps the endorser gip that the two atomic number 18 migrant counterpane workers, on their mien to one job to a nonher. They ar divergence to work on a ranch in Soledad and George makes it clear he is to do all the talk of the town when they arrive G eorge angrily discovers that Lennie has been concealing a dead mo call (I could pet it with my thumb period we walked along) This informs the reader that Lennie likes to pet compressible things, which is to be carefully noted in light of future (and past) events, George has beans for dinner party and when Lennie childishly sates he likes ketchup with his beans, George gets provoked and m employments on the life he could live if he wasnt with Lennie I got you You green goddesst substantiate a job and you lose me ever job I get. Jus deliver me shovin all over the country all the m You do severely things and I got to get you out.Through Georges anger we learn culturely one of the bad things which occur red ink at their last job, in Weed, when Lennie precious to pet the girls dress because it was pretty and held on when she tried to jerk away. The two had to flee the town in the night as the town mint were looking for them, Lennie responds to Georges anger with self-pity and uses a guilt trip, sorrowfully saying that if George doesnt want him around, he could go forward and live in the hills by himself. This softens George into saying that he wants Lennie to stay, so we k straightway these threats are not serious and that George does genuinely like Lennie as a friend. Lennie urges George to tell close the rabbits, this is when we are first introduced to the envisage that George and Lennie share, that they will get their own act of land and the money and means by which to live off of it.George describes how he and Lennie are different from different ranchers who drift from town to town, who dont belong no place. Lennie and George are different according to George, because they guard future and each another(prenominal). One day they will view ample money and live off the fatta the land. This shows the reader that George needs Lennie as a Friend so not to be lonely I got you to look after me, and you got me to look after you this shows the loyalt y and friendship which exists in the midst of George and Lennie, and the dream of a better life. All though George does become angry with Lennie resulting in some tension during this section of the novel, the atmosphere at the end is very peaceful and pleasant leavening the reader to have absolute and happy this is the same in both the film and the novel.The 1992 film interpretation Of Mice and Men opens with white on black credits which are childlike and stand out clearly. Gradually auditory sensation effects of a bufflehead/train are added and lighting effects are faded in subduedly to show the inside of an old fashioned goods wagon. There is besides compass medical specialty which is very atmospheric, building tension. This is followed by a slow fade and a close up gibe of a mans face, which we later come to realize is George, played by Gary Sinise who is also the director.George pensively, sadly sits alone in a railway car, the shadows of the cars slats partially covering his face. At the end of the film the same shot is repeated, therefore the audience realise the film is in fact a flash back from Georges memory, The gentle and eerie background euphony and use of dark, gloomy colours convey a sense of brain-teaser adding interest which makes the audience want to picket on to involve whats going to happen they also illustrate a mood of sadness along with the miserable evinceion stress in the close up shot of Gary Sinises face.At the place of the narrative in the film, the tv television television camera leap outs to a sequence of a charwoman in a vivid red dress, campaign though fields apparently in desperate passing weewee of some undefined terror, She runs towards the camera, As she gets closer to the camera the audience give the bounce picks out details in which give clues about the woman such(prenominal)(prenominal) as the tear in her dress and her panicky face which is stressed in a close up shot but the conundrum is c ontinued when she runs past the camera and out of the audiences sight. The sound effects of the womans gasped breath are very frantic, adding drama and tension to get hold of the audiences intention and the red of her dress stands out clearly in contrast to the green fields.The director immediately makes the camera jump to a sequence display two men, being go after by a group of men on horses armed with rifles and led by hunting dogs. The camera follows this chase, panning along to show the men running though long grass. The camera angle then changes to show the chase from the demonstrate of view of the men who are being chased, present the dogs and men running towards the camera which makes the audience feel as if they are being chased and allowing them to cover things from the mens point of view. Water from the horses splashes on the camera, showing the audience how close they are, adding tension and making the audience feel more involved, helping them to feel how the men ar e speck by showing things from the mens point of view.The two men jump into an irrigation ditch. The man from the start of the film jumps in first, front view and then the other man jumps in after but from a side view.The camera is use as one of the mens view, to the audience it helps them to feel how the men are feeling. It earns confusion because at first the audience may not know whose view it is and what they are looking at, since the men are in hiding and the viewer can see the weeds overhanging in front of them this also creates suspense as the audience can see the two mens point of view of the situation. The opening film sequence has a very dramatic and tense start in raise to grab the audiences intention, making them want to watch on. In comparison to the novel Of Mice and Men which is very different as it opens with a peaceful, happy and serene scene, making the reader build up hope and creating a joyful atmosphere.The camera jumps from the irrigation ditch to the two me n (George and Lennie) hitching a freight train at night in order to escape. Another jump follows to a studio location of a 1930s Californian town (Salinas) this scene is added to show the audience the conviction in which the film is set in and giving them an idea of George and Lennies surrounds and their way of life. piece of euphony they are in the town Lennie asks George were they are going George said were going to a ranch to work this dialog has been added to inform the audience of were they are going and of there current situation. George and Lennie take a bus to the ranch but they are dropped off in the countryside a few miles from the ranch.The serene and tranquil scene was probably set on location. The dialog they use is almost the same as the book, the camera pans along while they walk and talk setting them both in frame emphasizing that they have a close relationship. As the bus goes by George and Lennie, George realises that they have been dropped off in the wrong plac e and yells out son of a squall to the bus driver, Lennie copies George and also yells son of a bitch this is improvisation as it is not in the book, it has been added to show how Lennie copies George and what he does suggesting that he looks up to him and wants to be like him, showing the audience a bit about his character. Lennies (played by John Malkovitch )voice is very child like, portraying Lennie like a child trapped in a mans body, which makes sense but at times also seem over the top as in the book I felt that Lennie was clean very simple minded, but in the film Lennie seems to be seriously retarded.While George and Lennie are sit down by the pool Lennie decides to drink from the pool then spit the water out of his mouth in a child like fashion, again this is improvisation to show how child like Lennie is, George reacts to this by laughing at him showing he is used to Lennie and his childish behaviour almost to like how a parent would laugh at a child. The camera uses c lose up shots of Lennies face in order to emphases his odd seventh cranial nerve expressions and medium close-ups to show George and Lennies body language specially Lennie who tends to use various funny hand jesters in order to help express himself which he cant do very well.During George and Lennies argument about ketchup the camera is shot in separate frames to show they are now separate, because they are angry. The camera also uses medium close ups of George and Lennie while George is kneeling and Lennie is standing up to show how much bigger Lennie is compared to George and their differences in physical appearance, it also shows that Lennie could be seen as a treat to George. The camera tilts up when showing Lennie to make him seem taller and he probably has used padding in his clothes to make him appear bigger, while when the camera is on George it tends to tilt down to make him appear smaller.During the argument George doesnt mention the girl in the red dress which he does i n the novel, he just said you do bad things, he doesnt mention it because he doesnt need to explain this to the audience as the girl in the film as this has already been shown at the start unlike the novel. The argument shows the audience that George and Lennie do fall out sometimes. When the annex is over Lennie uses a guilt trip on George, the guilt is empathised in close up of Georges face.The camera jumps to George and Lennie sitting by a camp fire, this is the last sequence of this section of the film. It is set outside in the dark but the lighting effects make it light abounding to see whats happening, the light from the fire reflects on there faces in order to emphasis them there are many an(prenominal) off sieve natural sound effects such as cricket noises and other types of bugs and birds. Lennie asks George to tell him about the dream and as George begins to tell the dream background music gradually comes in which is very soft and genital to create an dream like atmosp here.The camera puts both George and Lennie in the frame while telling the dream maybe to show that they both share this dream and to show the friendship between them. When George lettuce telling the dream he saids oh the hell with it at this point the background music suddenly stops showing that they have come out of the dream and are now back to reality. At the end they are both in frame, delusion by the camp fire, the atmosphere is quite and peaceful with the natural sound effects of bugs est. off screen in the background leaving the audiences feeling happy and positive.Overall, I thought the first section of the Of Mice and Men film was good and very well done by Gary Sinise. In the celluloid you can actually see and hear things that you probably would not beget on to in the book. For example there are the facial expressions of George and Lennie. The music soundtrack to the film Of Mice and Men is very well composed I especially liked how the music is classical, which is ver y appealing to all age groups and genders. The music was important as it set the mood for the scene the audience was seeing. The landscape and camera work was also very good. The setting of the pool was just as it was described in the book.Also, the clothing worn by Lennie and George fitted the time frame allowing the audience to feel that they are back in that time period by watching, and also showed that they were not well off. In many ways the first section of the film is similar to the novel such as the dialog they use is almost identical to the novel and the appearance of the characters in the film are almost exactly like how they are described in the novel, Lennie is very big and bulky, while George is small with a tanned face. The director changed the order of the story at the beginning by starting with the girl in the red dress, this was probably changed in order to grab the audience intension at the beginning of the film so then they would want to watch on to see whats hap pening. near from the start of the movie you can see that Lennie has a mental illness, and George is victorious care of him like a father the same as it is with the novel. Also, you can tell that George gets impatient with Lennie numerous times and that he gets frustrated very easily. I thought the role of George was played very well by Gary Sinise who seems to bring out the role of George perfectly as he coveys Georges lovingness side as well. As for Lennie this role is probably more of a challenge as he is difficult to convey without sounding cartoonish, John Malkovich didnt work wonders for the role as he used such a silly voice, though if he had used a practice way of speaking the audience would probably find it difficult to see him as mentally handy capped.